December 2010
1 post
If one considers that introductions are usually...
What can be done with painting’s sexiness and decoration that’s not—but is instead more than—a critique of the sexy and the decorative? Moving in this direction does not necessarily place painting at home in the contemporary art world, a world much more concerned with art as signage to which one may respond, or not, consciously and to that extent by choice. This position is more as (and for that...